Wu wenguang biography template
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j. 中國音樂(北京)
k. 星海音樂學院學報
l. 黃鐘(Huangzhong: Journal of the Wuhan Conservatory)
m. 東海學報(Tung Hai Journal; Tunghai University, Taiwan)
n. 人民音樂(北京)
o. 民族藝術
p. 北京琴訊
IV. Zhu Quan (compiler of Shen Qi Mi Pu)
V. Some other books consulted in preparing this website.
A. English
- Berkowitz, Alan: Patterns of Disengagement, Stanford U. Press,
- Birch, Cyril (ed.): Anthology of Chinese Literature, Vol I: From Early Times to the Fourteenth Century. New York, Grove Press,
- Birch, Cyril (ed.): Anthology of Chinese Literature, Vol. II, From the Fourtee
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POETIC MELODY FROM HANGZHOU杭州詩韵Lead Musician: He-Yi 何怡, Vocal & Guqin (Chinese Zither)This event will be broadcast twice in two different times and platforms for North American and Asian audiences respectively. You are welcome to join any of the performances. For other time zones, please use a time zone converter, as Arizona does not observe Daylight Savings receive a link to view the concert and an electronic program book in English and Chinese, please sign up for our email list here: You should receive a Zoom link automatically. If you are already on our list, you should have received the link. This link will allow you to access all of our fall events. No need to lista multiple an Premiere and Viewing Platform:Date/Time in Arizona: Nov. 7, , 7 pm - 8 pm (MST)Center for Buddhist Studies Youtube Channel, Facebook, ZoomAsian Premiere and Viewing Platform:Date/Time in Beijing: , Nov. 7, 7 pm - 8 pm (BST)Ms. He-Yi’s bilibili m “Ding Feng Bo” 定風波 (Calming Wave and Wind), lyrics by Su
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'My' Self on Camera First individ Documentary Practice in an Individualising China - TOC and Introduction
‘My’ Self on Camera First individ Documentary Practice in an Individualising China Kiki Tianqi Yu Combining the approach of cultural ethnography, interviews, and textual analysis of selected films, this study examines the motivations, key aesthetic features and ethical tensions of presenting the self on camera, as well as the socio-political, cultural and technical conditions surrounding its practice. This book problematises how the sense of self and subjectivities are understood in contemporary China, and provides illuminating new insights on the changing notion of the individual through cinema. Hardback £75 | $ October pp. ISBN: 20 illustrations Also available in ebook Save 30% when you order direct • If you’re ordering from europe, Asia, Africa or Oceania, please visit and enter the discount code NEW30 • If you’re ordering from the Americas, visit and use the code ADIS