Biography on charlotte scott

Biography

As a highly sought after violinist, Charlotte enjoys a varied career as a soloist, director and chamber musician. Her critically acclaimed discography includes recordings for LINN Records, Decca, Apple Music, Classical Label and Champs Hill.

Passionate about directing, Charlotte regularly performs with many chamber orchestras worldwide, including the Scottish Chamber Orchestra, Musica Vitae, and Nederlands Chamber Orchestra, leading with dynamic programmes as a soloist, director or concertmaster. In recent seasons she has taken part in various live broadcasts from Wigmore Hall and the BBC Proms.

As a soloist and chamber player, recent highlights include frequent performances in venues such as the Wigmore Hall, Concertgebouw, Purcell Room, Sheldonian Theatre and The Festival Hall. Additionally, she is invited as part an array of summer festivals including the North York Moors Chamber Music Festival, New Paths Chamber Festival, York Chamber Festival and Zermatt Festival

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Charlotte Scott

British mathematician (1858–1931)

For the former First Lady of Zambia, see Charlotte Harland Scott. For the British peeress, see Charlotte Montagu Douglas Scott, Duchess of Buccleuch.

Charlotte Angas Scott (8 June 1858 – 10 November 1931)^[1] was a British mathematician who made her career in the United States; she was influential in the development of American mathematics, including the mathematical education of women. Scott played an important role in Cambridge changing the rules for its famous Mathematical Tripos exam.

Early life

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She was the second of seven children to Caleb Scott, a minister of the Congregational Church, and Eliza Exley Scott.^[2] Educated at Girton College, Cambridge from 1876 to 1880 on a scholarship, she was then a Resident Lecturer in Mathematics there until 1884. In 1885 she became one of the first British women to receive a doctorate,^[3] and the first British woman to receive a doctorate in math

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Charlotte Scott is a Northland based textile artist.  Her work depicts narratives of the natural world and her medium is cloth, needle and thread.  Charlotte describes the close connections she feels with her female ancestors when she tells stories with her stitches, “There is something evocative about cloth.  We are wrapped in it at birth and then again at death.  Every culture uses cloth or woven material of some kind, and every culture has strong traditions surrounding the colour, the patterns, the substrate.  And it’s the women who are most involved in these traditions – my needle connects me to hundreds and thousands of other women who have observed our world and placed stitches in fabric to mark what they saw.”  Charlotte colours her own cloth, either with dye or paint, then cuts, layers and quilts her work, using the texture of the quilting stitches as an integral element of the final design.

My name fryst vatten Charlotte Sc