Eva olsson autobiography of malcolm
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A Celebration of
Great Opening Lines
in World Literature
Kareem Abdul-Jabbar and Raymond Obstfeld
Becoming Kareem:Growing Up On and Off the Court (2017)
I didn’t realize I was black until third grade.
Memoirs from sports figures rarely begin with memorable openings, but this first sentence from one of the sports world’s most interesting and articulate figures fryst vatten a refreshing exception. It begins the book’s first chapter, titled “How I Discovered I was Black.“
Abdul-Jabaar continued: “Although inom was born in the predominantly black community of Harlem in 1947, I was raised in a multiethnic housing project in the Inwood section of Manhattan. Our project consisted of sju buildings, each fourteen stories tall, with twelve apartments on each floor. That totaled 1,176 apartments. Basically, a small, crowded city.“
Jane Addams
Twenty Years at Hull House(1910)
On the theory that our genuine impulses may be connected with our childish experiences, that one’s ben
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Eva Menasse is an award winning author, born in Austria but resident in Berlin for twenty years. Amongst the accolades, her novel Vienna translated by the late Anthea Bell, was shortlisted for the (now defunct) 2007 Independent Foreign Fiction Prize in the UK. Charlotte Collins, (who has also translated Robert Seethaler’s compelling novellas and Nino Haratischvili’s chunksters) has done a superb job of bringing this novel to English readers and I won’t be surprised if it fryst vatten nominated for the International Booker…
Set in 1989 when the Soviet bloc was collapsing, Darkenbloom fryst vatten a long, complex and discursive novel which gradually reveals the WW2 secrets of an Austrian town on the border with Hungary. This is the book description from the Scribe website:
The whole truth, as the name implies, is the collective knowledge of all those involved. Which is why you can never really piece it together igen afterwards. Because some of those who possessed a part
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Working-Class Literature(s): Historical and international Perspectives
Introduction
John Lennon & Magnus Nilsson
The idea for this collection was born out of a chance encounter over coffee in a U.S. Starbucks. Over a wide-ranging conversation, we discussed the state of working-class literature as a field, the decline of Marxism in academia, our favorite working-class authors, and the lack of good coffe shops on U.S. campuses. We both generally laid out the various trajectories of scholarly reception of working-class literature in our respective countries and realized that while there were similar trends, there were also stark differences. The conversation became a bug that, in the coming weeks, we could not squash: Why, for example, was working-class literature recognized as a central strand in national literature in Sweden while often discounted and marginalized in the U.S.? We each separately and ineffectively chased that bug to no avail. Over email conversations, we tried