Francesco da milano wikipedia
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Category:Francesco da Milano
Conegliano da Milano Abendmahl.jpg 4,374 × 2,980; 2.09 MB
Conegliano da Milano Gefangennahme Jesu.jpg 4,232 × 3,477; 2.91 MB
Francesco da Milano - Baptism of Christ with Saints John the Baptist, Francis of Assisi and Anthony of Padua - Church of Saint John the Baptist, Vittorio Veneto.jpg 2,480 × 3,538; 3.59 MB
Francesco da milano, madonna col bambino tra i ss. andrea e bartolomeo, 1538, 01.jpg 3,168 × 4,536; 5.51 MB
Francesco da milano, madonna col bambino tra i ss. andrea e bartolomeo, 1538, 02 angeli musicanti e uccelli.jpg 5,235 × 3,372; 8.19 MB
Francesco da milano, madonna col bambino, san giovannino e angeli, 1537, da s. anna in colalto a treviso 01.jpg 3,320 × 4,165; 4.9 MB
Francesco da milano, madonna col bambino, san giovannino e angeli, 1537, da s. anna in colalto a treviso 02 citazione di leonardo da vinci.jpg 6,483 × 4,480; 11.05 MB
Francesco da Milano, Madonna in Trono col Bambino, due Sant
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Francesco Canova da Milano
Italian composer
"Francesco da Milano" redirects here. Not to be confused with Francesco da Milano (painter).
Francesco Canova da Milano[1][2] (Francesco da Milano, also known as Il divino, Francesco da Parigi, etc.) (18 August 1497 – 2 January 1543) was an Italian lutenist and composer. He was born in Monza, near Milan, and worked for the papal court for almost all of his career. Francesco was heralded throughout Europe as the foremost lute composer of his time. More of his music is preserved than of any other lutenist of the period, and his work continued to influence composers for more than a century after his death.
Life
[edit]Francesco da Milano was almost certainly born in Monza, a small city some 15 km north-northeast of Milan. His father Benedetto was a musician, as was his elder brother Bernardino. According to Luca Gaurico's Tractatus astrologicus (1552), Francesco studied beneath Giovanni Angelo Testa
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Francesco da Milano (painter)
Italian painter
Francesco da Milano (born Francesco Pagani) was an Italian painter from Lombardy. He was active between 1502 and 1548 and twenty of his works in oil-on-canvas and fresco survive in the hill-country of Treviso and Friuli, including a fresco cycle at Castello Roganzuolo. As a Lombard, some aspects of his style were influenced by Bernardo Zenale and Vincenzo Civerchio, though he was also influenced by Titian, who like him lived and worked in the "contrada de Piai" in Serravalle. Titian was preferred to Francesco by Serravalle's town council - Francesco had been the initial choice to paint the Serravalle Altarpiece.
References
[edit]- Baldissin, Mariuccia e Soligon, Antonio, Chiese a San Fior. Alla scoperta del patrimonio artistico, San Fior 2002, pp. 102–120.
- Crespi, Leonardi, Zanato, Magia del colore. Chiese affrescate della Marca Trevigiana, Vianello libri, 2008.
- Giorgio Tagliaferro, Tiziano Vecellio. Madonna col B