Liubov popova biography of williams

  • Born in 1889, the daughter of a wealthy textile manufacturer and patron of music and the theater, Liubov Sergeevna.
  • First, a brief biography: Liubov Popova was born in 1889.
  • Born into a prosperous Russian background in 1889, Popova showed early artistic promise.

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    Art into Life: The Radical Textiles of Liubov Popova

    Liubov Popova textile design from 1923, featuring stylised zig-zagged black and white patterns

    “No artistic success has given me such satisfaction as the sight of a peasant or a worker buying a length of material designed by me.” Liubov Popova

    Russian Constructivist Liubov Popova was a force of nature, expanding her creative ideas across painting, theatre set design and textiles. But many would say the bold, graphic power of her fabric design is her strongest and most influential legacy. Breaking free from the floral prints of Russia’s past, her djärv, angular edges and striking, simplified colours came to typify the aesthetic of Russia’s Soviet era. Moreover, her desire to merge “art into life” by integrating avant-garde designs with the industrial production of fabric allowed her to bring her art into the lives of ordinary people, an accomplishment she greatly cherished.

    Born into a prosperous Russian background in 1889

  • liubov popova biography of williams

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    Liubov Popova: From Painting to Textile Design

    Liubov Popova’s engagement with design in general and textile design in particular should not be seen as the result of a sudden decision, made as an impulsive response to a call for artists from the First State Textile Printing Factory in 1923.1 On the contrary, it should be seen as the culmination of extensive thought and activity, including the artist’s decision to adopt the constructivists’ position in 1921, and her subsequent determination to use her artistic skills, not to create works of art as such, but to participate in the construction of the new Communist environment by using those skills to design new everyday objects for mass production.2 In this essay I shall look at the circumstances surrounding Popova’s involvement with constructivism and her approach to fabric design. I shall also explore the ways in which her designs reflected and, indeed, sometimes continued the concerns that had been fundamental to her activit

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    When I visited the Revolution exhibition  of Russian art at the Royal Academy, one of the artists that interested me most was a woman called Lyubov Popova.  Her paintings were striking and very beautiful.  But there were only a few and even fewer details of her life.  I wondered why.  What had happened to Popova?
    Lyubov Popova photograhed by Alexander Rodchenko
    On the internet I uncovered the story of her life.  She was born into a wealthy and highly educated family in 1889.  Her father was a textile merchant and patron of the arts.  Her mother also came from an artistic family.  Popova's precocious talent was encouraged from the beginning.  Initially she was taught at home, then at the Gymnasium in Moscow before entering the private studios of some of the best artists in Russia, studying Cubism and Futurism, developing her own blend which she called Architectonics.

    Lyubov Popova - Architectonic
    Popova travelled